MATT KOGER Songwriter
BIO
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MATT KOGER Songwriter BIO |
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MATT KOGER: POET AND PILGRIM By RD Crump Independent Music Journalist Matt Koger closed the decade like a flooding 1.) What were your favorite music happenings of the past year? “The Reckoning” will be on the new record. I agree it may be out
of place but I think there will be enough "produced" tracks to build a bridge from Nebraska (new track) to Reckoning. |
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Every songwriter’s journey is different. Some of us write songs very early in
life. Others often stumble across the art in the midst of living their lives. For Matt Koger, music did not happen immediately.
First he became a doctor. The Greenville native can be found in his doctor’s office during the week, and
in various performing venues during the weekend. Between that, he has found time to record two CD’s. “My interest was first in writing in general,” Koger said. “I have
always enjoyed writing and good writers. I picked up a guitar at 30, with hopes of giving my children some musical influence.
The writing was a natural progression that I had never considered. My first song was about a patient whose story touched me.” Matt Koger Koger gets many of his song ideas from people he meets, things he sees and stories he’s
gold. He believes there is a genuine inspiration behind 90% of his songs. “I write when I’m inspired. The songs often seem to write themselves,”
he said, adding that songwriting never intrudes on his other profession. “I’m not thinking of songs when I’m
working as a doctor. The songs find their way in idle moments. It’s as Sinatra sang…sometime in the wee small
hours of the morning.” Koger loves north Texas. He often performs to raise money for various local causes.
He also believes that living in Greenville has put him in touch with good musical influences. The history of the area is a
big reason. “Local history in Greenville is fascinating,” he said. “Lots of good
stories are there if you listen. The flip side is, Greenville is not necessarily handy to a big music scene. But that’s
OK with me, as a songwriter. I work best alone. I have only one co-write and I have never recorded it.” Koger’s first CD is Blackland. It provides the promise of creative writing
and storytelling. In the first cut, “Nature of the Beast,” he says “Nothing makes a man hungry like the
promise of a feast.” “Ally’s Song” is a lullaby. He writes “This one’s for the sisters
of the brothers who don’t know what it’s like to be Daddy’s little girl, and they don’t know what
it’s like to bloom like a desert rose and be beautiful in spite of the world.” His newest CD, The Coyote’s Call, is his favorite – at least, for now. “I always think of the new CD as the good one,” Koger commented. “Then
I’ll listen to the first one and think, ‘I forgot it was that good.’ The main difference is the level of
production. The Coyote’s Call is the best I could afford to produce. I mean that in a financial sense, as well as in
a pound of flesh sense. “I love the songs on both discs. As opposed to Blackland, the Coyote songs were
written with an audience in mind. I wrote most of the songs after Blackland had been released.” One of those, “The Hangover Song’” is Koger’s attempt at a commercial
song. It is a clever, foot tapping tune. I laughed at one line, in which he describes – after getting home from a night
in the clubs – “scrubbing stamps off the back of my hand.” Anyone who has ever paid their way into a night
club or honky tonk can appreciate that! Another great song on the CD is “Black-Eyed Susan,” a song reminiscent of
many of the Ray Stevens classics. And “Monday Morning Blues” stands out for its musical excellence. John Kent, a good friend to Koger, produced both CD’s. “As a producer, John was instrumental in helping the songs find their voice,”
said Koger. “Sometimes, I have a vision for the finished work, but John is very creative when it comes to the nuances
of the song. He is also an accomplished musician who can play virtually any instrument that he puts his mind to.” Like many songwriters, Matt Koger had a hard time believing that anyone would take him
seriously. “At first, I really didn’t believe the songs were that good,” he said.
“I felt like people were humoring me. Now, I have received compliments from all over the world. I’m proud to play
a song for anybody. I have never, however, claimed to be a great singer or guitar player. The best I can do is give a rough
voice to these songs and that’s just what I’ll continue to do.” Matt believes a good song allows the listener to interpret it to their own story, by
letting them incorporate their vision into the song. Writing a song feels natural, but “I always tell my daughter –
who likes to write stories – that I think good writing finds interesting ways to say ordinary things.” So what does the doctor/songwriter foresee for the future? “I hope to be a better guitar player and songwriter. I think the writing is getting
better, but I’m biased!” he said. “I would love to see someone record some of my songs. I’m not motivated
financially. But to me, it would be a wonderful validation to have another songwriter like my material enough to want to perform
it. That being said, I have no five-year plan, other than being a good father, husband and physician. Those priorities will
help keep my music in its proper place, and therefore preserve the reason I write. To paraphrase Townes, may I always just
sing for the sake of the song.”
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